Figure 1-1. Alfonso as king, Cantigas de Santa Maria. 4
Figure 4-1. Cantiga 9, Cantigas de Santa Maria. 48
Figure 4-2. Cantiga 28, Cantigas de Santa Maria. 49
Figure 4-3. Cantiga 96, Cantigas de Santa Maria. 55
Figure 4-4. Shah Abbas Bible, MS 619, f.
46v, Pierpont Morgan
Library.
56
Figure 4-5. Peter of Eboli, The Baths of Pozzuoli,
"Balneum
Raynerius, " Rome, Biblioteca Angelica, MS 1474, f. 12.
57
Figure 6-1. Cantiga I, Cantigas de Santa Maria.
81
Figure 6-2. Cantiga 90, Cantigas de Santa Maria.
88
Figure 7-1. Alfonso dictating in his court. Cantigas
de
Santa Maria.
91
Figure 9-1. Alfonso as prince. Cantigas de Santa Maria. 125
Figure 11-1. Cantiga de loor 10 from To
(Biblioteca Nacional,
Madrid MS 10. 069, f. 20) and Escorial B. 1. 2 (f. 39).
162-163
Example 11-1a. Schindler's original notation transcribed
from his
recording.
164
Example 11-1b. The notated version as it appeared
in Schindler's
Folk Music and Poetry of Spain and Portugal.
164
Example 11-2. Schindler's setting of "Rosa das rosas. " 169
Example 11-3. Possible melodic antecedents for "Rosa das rosas. " 173
Example 11-4. , cond., cond.,
cond. Schindler's "Rosa das rosas" and comparative
transcriptions of To (f. 20) and B. I. 2 (f. 39).
174-179
Figure 12-1. King Alfonso reading in his court.
Cantigas de
Santa Maria.
183
